
Murder and the Movies
David Thomson
Hardcover | 13.97 x 2.22 x 21.59 cm | 240 pp
Yale University Press | 2020 | 9780300220018
How many acts of murder have each of us followed on a screen? What does that say about us? Do we remain law-abiding citizens who wouldnāt hurt a fly?Ā Film historian David Thomson, known for wit and subversiveness, leads us into this very delicate subject. While unpacking classics such asĀ Seven,Ā Kind Hearts and Coronets,Ā Strangers on a Train,Ā The Conformist,Ā The Godfather, andĀ The Shining, he offers a disconcerting sense of how the form of movies makes us accomplices in this sinister narrative process.
Ā
By turns seductive and astringent, very serious and suddenly hilarious,Ā Murder and the MoviesĀ admits us into what Thomson calls āa warped triangleā: the creator working out a compelling death; the killer doing his and her best; and the entranced reader and spectator trying to cling to life and a proper sense of decency.
ā[Thomsonās] analysis of death in Hitchcock movies is gorgeous. His restlessness is palpable. There is an anxiety in this brief, hurried book that suits these political and medical times.ā Ā NEW YORK TIMES BOOK REVIEW
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David Thomson
Hardcover | 13.97 x 2.22 x 21.59 cm | 240 pp
Yale University Press | 2020 | 9780300220018
How many acts of murder have each of us followed on a screen? What does that say about us? Do we remain law-abiding citizens who wouldnāt hurt a fly?Ā Film historian David Thomson, known for wit and subversiveness, leads us into this very delicate subject. While unpacking classics such asĀ Seven,Ā Kind Hearts and Coronets,Ā Strangers on a Train,Ā The Conformist,Ā The Godfather, andĀ The Shining, he offers a disconcerting sense of how the form of movies makes us accomplices in this sinister narrative process.
Ā
By turns seductive and astringent, very serious and suddenly hilarious,Ā Murder and the MoviesĀ admits us into what Thomson calls āa warped triangleā: the creator working out a compelling death; the killer doing his and her best; and the entranced reader and spectator trying to cling to life and a proper sense of decency.
ā[Thomsonās] analysis of death in Hitchcock movies is gorgeous. His restlessness is palpable. There is an anxiety in this brief, hurried book that suits these political and medical times.ā Ā NEW YORK TIMES BOOK REVIEW















