The Women Of Atelier 17: Modernist Printmaking in Midcentury New York
Christina Weyl
Hardcover |Â 20.32 x 3.81 x 25.4 cm | 296 pp
Yale University Press | 2019 | 9780300238501
The Women Of Atelier 17 is a timely reexamination of the experimental New York print studio Atelier 17, focusing on the women whose work defied gender norms through novel aesthetic forms and techniques.
In this important book Christina Weyl takes us into the experimental New York print studio Atelier 17 and highlights the women whose work there advanced both modernism and feminism in the 1940s and 1950s. Weyl focuses on eight artistsâLouise Bourgeois, Minna Citron, Worden Day, Dorothy Dehner, Sue Fuller, Alice Trumbull Mason, Louise Nevelson, and Anne Ryanâwho bent the technical rules of printmaking and blazed new aesthetic terrain with their etchings, engravings, and woodcuts.
Weyl reveals how Atelier 17 operated as an uncommonly egalitarian laboratory for revolutionising print technique, style, and scale. It facilitated women artistsâ engagement with modernist styles, providing a forum for extraordinary achievements that shaped postwar sculpture, fibre art, neo-Dadaism, and the Pattern and Decoration movement.
Atelier 17 fostered solidarity among women pursuing modernist forms of expression, providing inspiration for feminist collective action in the 1960s and 1970s. The Women of Atelier 17 also identifies for the first time nearly 100 women, many previously unknown, who worked at the studio, and provides incisive illustrated biographies of selected artists.
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Christina Weyl
Hardcover |Â 20.32 x 3.81 x 25.4 cm | 296 pp
Yale University Press | 2019 | 9780300238501
The Women Of Atelier 17 is a timely reexamination of the experimental New York print studio Atelier 17, focusing on the women whose work defied gender norms through novel aesthetic forms and techniques.
In this important book Christina Weyl takes us into the experimental New York print studio Atelier 17 and highlights the women whose work there advanced both modernism and feminism in the 1940s and 1950s. Weyl focuses on eight artistsâLouise Bourgeois, Minna Citron, Worden Day, Dorothy Dehner, Sue Fuller, Alice Trumbull Mason, Louise Nevelson, and Anne Ryanâwho bent the technical rules of printmaking and blazed new aesthetic terrain with their etchings, engravings, and woodcuts.
Weyl reveals how Atelier 17 operated as an uncommonly egalitarian laboratory for revolutionising print technique, style, and scale. It facilitated women artistsâ engagement with modernist styles, providing a forum for extraordinary achievements that shaped postwar sculpture, fibre art, neo-Dadaism, and the Pattern and Decoration movement.
Atelier 17 fostered solidarity among women pursuing modernist forms of expression, providing inspiration for feminist collective action in the 1960s and 1970s. The Women of Atelier 17 also identifies for the first time nearly 100 women, many previously unknown, who worked at the studio, and provides incisive illustrated biographies of selected artists.
